Given that I
write just as much fiction as nonfiction, Krakauer’s Three Cups of Deceit made for interesting reading. I’m going to
take a cue from Nikki here and split my response up under headings.
Deceit by the numbers
In exploring
the scope of Greg Mortenson’s deception, Krakauer
frequently references hard figures. He gestures to the diversity of those who
donated to the CAI—from President Obama ($100,000), to school kids ($2.5
million, donated in pennies), to himself ($75,000). He cites the lengthy
presence of Three Cups of Tea on the
NYT bestseller list—four years and two months, as of March 2011—as well as the
number of books in print (~5 million). Krakauer’s study of the CAI’s finances adds
at least a dozen more figures to his analysis.
On the other
hand, he also looks to less quantifiable measures of Mortenson’s deceit, like the
experiences of the disillusioned CAI employees and Pakistani villagers. For me,
there was a lesson in how Krakauer wove these elements together into one
cohesive argument.
The men (and women?) behind the myth
In my first post, I mentioned the breadth of
Krakauer’s research. Among those sources: photographs, financial reports, personal
letters, articles from popular magazines and academic journals, excerpts from
Mortenson’s works, and interviews with individuals like Pakistani scholars and the
president of a charity watchdog group.
But a voice
that I felt was noticeably absent? That of Mortenson’s co-author and ghostwriters.
Mortenson’s
co-author for Three Cups of Tea,
David Oliver Relin, appears in the “Dramatis Personae” list but is only
mentioned twice in the Krakauer piece. Same goes for Stones into Schools ghostwriter Kevin Fedarko, though he did get an
interesting footnote (#8) that confirmed his rather “blindfolded” role: He had
to assume Mortenson’s story was true, and he wasn’t responsible for any
fact-checking.
I found
myself really wanting to know more about these writers, given how important
they were to forming Mortenson’s “creation myth,” as Krakauer calls it. Were
they all as unwitting as Fedarko? If not, did they have any misgivings about presenting
fiction under the guise of fact?
Fact into fiction
I have to
wonder, how would Mortenson’s book have fared if it had been sold as pure
fiction? Or perhaps as a novel with a “based on a true story” label? I haven’t
read Three Cups of Tea, so I hesitate
to make any judgment, but I think it’s important to discuss the critical choice
Mortenson made in labeling Three Cups of
Tea as nonfiction.
Another
issue of interest: How (according to Krakauer) the Bozai school was built to
satisfy a narrative thread in Stones to
Schools.
Miscellaneous observations
- Both Sarah
and Robyn have commented on Krakauer’s pattern of presenting Mortenson’s
fictionalized accounts and then systematically dismantling them. Did anyone
notice his speedy transition phrases in between? I feel like these were part of
the pattern, and that they added to his voice in the piece. For example:
“This is what actually happened after
Mortenson abandoned his attempt on K2.” (7)
“The entire story was fabricated.” (15)
“[This account] also happens to be
fictitious.” (32)
“Such claims are patently untrue…” (48)
“[Mortenson’s sacred pledge] turned out to
be a whopper…” (55)
- On the
topic of word choice: I found it notable that “lie”/“lies”/“lying” appeared so
few times in the story. Krakauer instead uses terms like “contradicted,” “fabricated,”
and of course, “deceit.” (Though this meant that when a permutation of the word
“lie” actually did appear, it really
felt strong and jumped off the page for me.)
- I’m not
sure if it was intentional foreshadowing, but I definitely thought back to this
passage when Mortenson stops speaking to Krakauer just ten pages later:
“Greg is hot and cold,” Callahan remarks philosophically.
“When you’ve got his attention you can expect huge email traffic, long phone calls—and
then he’ll just kind of disappear and go silent.” (59)
- And maybe
Krakauer’s fact-checking is rubbing off on me, but I really want to find out if
the 1979 issue of Time actually
contained an ad for a WaterPik Oral Hygiene Appliance…
I too wanted to know more about the co-writers, because it felt a little...something...to mention them and then not really discuss their involvement. On the one hand it could be borderline slander to associate them with Mortenson without clarification, but then again, if they were involved, they should be named. Additional info could have easily gone in an endnote; I wonder if/how much Krakauer researched them.
ReplyDeleteMaria, on a light note I'm glad you mentioned the WaterPik—I thought the SAME THING as I read the piece and in fact kept waiting to see the typical JK hammer come down ("WaterPik wasn't invented until 1981"--or whatever).
ReplyDeleteIt's important to bring up GM's coauthors because if there's anything missing in TCOD it's the role these writers played and how deeply they should be faulted. This is especially true since GM himself—in an obvious effort to deflect blame—jerked a thumb their way and essentially said, "Don't look at me, it was THOSE guys." And in fact it's eeeeeeasy to understand how the publishing world might have not only let this happened but also encouraged it—the story as GM told it wasn't quite dramatic enough so they bring in narrative fixers to round it out and voila, fiction. JK should've asked those questions. Maybe he'll follow up.
As to whether including them in the piece might've been slander--no, not at all. Also: the word you want there is libel. Slander is spoken; libel is written.